Chandan Charchita Nila Kalebara(GITA GOVINDA)(Vishnu stotra.84)

https://youtu.be/WlAdBPoU5MQ

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चन्दनचर्चितनीलकलेवरपीतवसनवनमाली ।
केलिचलन्मणिकुण्डलमण्डितगण्डयुगस्मितशाली ॥

हरिरिहमुग्धवधूनिकरे
विलासिनि विलसति केलिपरे ॥ १॥

पीनपयोधरभारभरेण हरिं परिरम्य सरागम् ।
गोपवधूरनुगायति काचिदुदञ्चितपञ्चमरागम् ॥ २॥  हरिरिह
कापि विलासविलोलविलोचनखेलनजनितमनोजम् ।
ध्यायति मुग्धवधूरधिकं मधुसूदनवदनसरोजम् ॥ ३॥ हरिरिह
कापि कपोलतले मिलिता लपितुं किमपि श्रुतिमूले ।
चारु चुचुम्ब नितम्बवती दयितं पुलकैरनुकूले ॥ ४॥ हरिरिह
केलिकलाकुतुकेन च काचिदमुं यमुनाजलकूले ।
मञ्जुलवञ्जुलकुञ्जगतं विचकर्ष करेण द्कूले ॥ ५॥ हरिरिह
करतलतालतरलवलयावलिकलितकलस्वनवंशे ।
रासरसे सह नृत्यपरा हरिणा युवतिः प्रशशंसे ॥ ६॥ हरिरिह
श्लिष्यति कामपि चुम्बति कामपि कामपि रमयति रामाम् ।
पश्यति सस्मितचारुतरामपरामनुगच्छति वामाम् ॥ ७॥ हरिरिह var -   परां
श्रीजयदेवकवेरिदमद्भुतकेशवकेलिरहस्यम् ।
वृन्दावनविपिने ललितं वितनोतु शुभानि यशस्यम् ॥ ८॥

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candana-carcita-nila-kalevara-pita-vasana-vana-mali |
keli-calan-mani-kundala-mandita, gandha-yuga-smita-shali ||1||

haririha mugdha-vadhu-nikare, vilasini vilasati keli-pare ||dhruvapada||

“O playful Radha, look! Dressed in pitambhara (yellow cloth) and a vanamala (garland of forest flowers), with sandalwood paste (chandana) smeared upon his blue limbs, Hari feels the utmost elation as he enjoys with captivated Gopis in this Vrndavana forest. His earrings dangling in play,ornament his smiling cheeks. The beauty of his cheeks is astonishing and his face displays a wondrous sweetness with the honey of his playful laughter.” 

pina-payodhara-bhara-bharena,. hari parirabhya saragam |
gopa-vadhu ranu gayati kacid, udañcita-parama-ragam (Radhe, haririha mugdha-vadhu-nikare) ||2||

One of the Gopi’s is firmly embracing Krishna with intense attachment. Pressing the heavy burden of her voluptuous breasts against Krishna’s chest, she has begun to sing a melody of love with him, in the fifth musical mode

kapi vilasa-vilola-vilocana, khelana-janita-manojam |
dhyayati mugdha-vadhu radhika madhusudana-vadana-sarojam (Radhe, haririha mugdha-vadhu-nikare) ||3||

Another Gopi, lured by his wanton quivering looks is meditating on the lotus face of Madhusudhana. He arouses lust in the hearts of sensuous young ladies with the romantic sidelong glances of his restless eyes, and she is greedy to drink the honey of his lotus face.

kapi kapola-tale milita lapitum kimapi sruti-mule |
charu chuchumba nitamba vati, dayitam pulakair anukule (Radhe, haririha mugdha-vadhu-nikare) ||4||

One curvaceous Gopi has leant her face close to Krishna’s cheek, on the pretext of whispering a secret in his ear. When Krishna understood
her love -laden intention, He reciprocates.  That Gopi seized this favourable opportunity to fulfil her most cherished desire. With the utmost delight, she has begun to kiss his tingling cheek

keli-kala-kutukena ca kacith,  amum yamuna-jala-kule |
mañjula-vañjula-kuñja-gatam, vichakarsha karena dukule (Radhe, haririha mugdha-vadhu-nikare) ||5||

Another gopi eager for the art of love, discovered a secluded place in a charming grove of cane on the banks of river Yamuna. Impelled by a joyful fascination for the amatory arts, she pulls the Krishna’s pitambhara with both hands and dragged him away.

kara-tala-tala-tarala-valaya vali, kalita-kalasvana-vamshe |
rasa-rase saha-nrutya, para harina-yuvati-prashamse (Radhe, haririha mugdha-vadhu-nikare)||6||

Hari praises a Gopi drunk from dancing with beating palms, in the rite of love upon hearing the marvelous melody of his divine flute
combined with the sound of her ringing bangles.

shlisyati kam api chumbati kam api, kam api ramayati ramam |
pashyati sa-smita-charu-taram, aparam anugacchati vamam (Radhe, haririha mugdha-vadhu-nikare) ||7||

Krishna is embracing one of his beloveds; he is kissing another and somewhere else he enjoys passionate caress with another. Elsewhere he gazes expectantly at the face of another lover, while appreciating the nectar of her suggestive sweet smile. Somewhere else he mimics a willful Gopi.

sri-jayadeva-bhaitam idam adbhutam,  kesava-keli-rahasyam |
vrindavana-vipine lalita vitanotu subhani yasasyam  (Radhe, haririha mugdha-vadhu-nikare, vilsani…)||8||

May this auspicious, delightful and astounding song of Sri Jayadeva increase the good fame of all. This song bestows all virtues. It describes Radha’s gaze upon the wondrous mystery of the sensual games performed by Krishna as she laments.

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॥ ଗୀତମ୍ ୪ ॥
ଚନ୍ଦନଚର୍ଚିତନୀଲକଲେଵରପୀତଵସନଵନମାଲୀ ।
କେଲିଚଲନ୍ମଣିକୁଣ୍ଡଲମଣ୍ଡିତଗଣ୍ଡୟୁଗସ୍ମିତଶାଲୀ ॥

ହରିରିହମୁଗ୍ଧଵଧୂନିକରେ
ଵିଲାସିନି ଵିଲସତି କେଲିପରେ ॥ ୧॥

ପୀନପୟୋଧରଭାରଭରେଣ ହରିଂ ପରିରମ୍ୟ ସରାଗମ୍ ।
ଗୋପଵଧୂରନୁଗାୟତି କାଚିଦୁଦଞ୍ଚିତପଞ୍ଚମରାଗମ୍ ॥ ୨॥  ହରିରିହ
କାପି ଵିଲାସଵିଲୋଲଵିଲୋଚନଖେଲନଜନିତମନୋଜମ୍ ।
ଧ୍ୟାୟତି ମୁଗ୍ଧଵଧୂରଧିକଂ ମଧୁସୂଦନଵଦନସରୋଜମ୍ ॥ ୩॥ ହରିରିହ
କାପି କପୋଲତଲେ ମିଲିତା ଲପିତୁଂ କିମପି ଶ୍ରୁତିମୂଲେ ।
ଚାରୁ ଚୁଚୁମ୍ବ ନିତମ୍ବଵତୀ ଦୟିତଂ ପୁଲକୈରନୁକୂଲେ ॥ ୪॥ ହରିରିହ
କେଲିକଲାକୁତୁକେନ ଚ କାଚିଦମୁଂ ୟମୁନାଜଲକୂଲେ ।
ମଞ୍ଜୁଲଵଞ୍ଜୁଲକୁଞ୍ଜଗତଂ ଵିଚକର୍ଷ କରେଣ ଦ୍କୂଲେ ॥ ୫॥ ହରିରିହ
କରତଲତାଲତରଲଵଲୟାଵଲିକଲିତକଲସ୍ଵନଵଂଶେ ।
ରାସରସେ ସହ ନୃତ୍ୟପରା ହରିଣା ୟୁଵତିଃ ପ୍ରଶଶଂସେ ॥ ୬॥ ହରିରିହ
ଶ୍ଲିଷ୍ୟତି କାମପି ଚୁମ୍ବତି କାମପି କାମପି ରମୟତି ରାମାମ୍ ।
ପଶ୍ୟତି ସସ୍ମିତଚାରୁତରାମପରାମନୁଗଚ୍ଛତି ଵାମାମ୍ ॥ ୭॥ ହରିରିହ var -   ପରାଂ
ଶ୍ରୀଜୟଦେଵକଵେରିଦମଦ୍ଭୁତକେଶଵକେଲିରହସ୍ୟମ୍ ।
ଵୃନ୍ଦାଵନଵିପିନେ ଲଲିତଂ ଵିତନୋତୁ ଶୁଭାନି ୟଶସ୍ୟମ୍ ॥ ୮॥

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also see odisi
https://youtu.be/U1I76SXNqPk