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Tuesday, June 30, 2015

- Vishnu Sudarshan Chakra Mantra(Vishnu stotra.138)



Mantra For Protection - Vishnu Sudarshan Chakra Mantra(Vishnu stotra.138)


https://youtu.be/Vn7kNC0ymdk




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Maha Sudarshana Mantra – महासुदर्शन मंत्र

Maha Sudarshana Mantra – महासुदर्शन मंत्र
– For protection From Enemies, Misfortune, Planets & Ghosts

Sudarshana Chakra is the name of the powerful discus weapon of Lord Vishnu. It is considered one of the most powerful divine weapons capable of destroying all evil.
The Sudarshana Chakra (Sankrit: सुदर्शन चक्र) is a spinning, disk-like super weapon with 108 serrated edges used by the Hindu god Vishnu. The Sudarshana Chakra is portrayed on the right rear hand of the four hands of Vishnu, who also holds a Shankha (a conch shell) in his left fore hand, a Gada (mace) in his left rear hand, and a Padma (lotus bud) in his right fore hand.
According to the Puranas, Sudarshana Chakra is used for the ultimate destruction of an enemy. The depiction of Vishnu with Sudarshana Chakra also means that Vishnu is the keeper-owner of the celestial bodies and heavens.
The following Sudarshan Moola mantra can be regularly chanted to remove all miseries caused by enemies, for protection from unforeseen events and to keep evil entities like ghosts away.
Regular chanting of this mantra will cover the devotee’s body in a divine aura by the grace of lord Sudarshana. This mantra is especially useful for the exorcism of ghosts.
‘ Om shreem hreem kleem shree krishNaaya govindaaya, gopeejana vallabhaaya, paraaya parama purushaaya paramaatmane, parakarma mantra yantra tantra, oushadha astra shastraaNi samhara samhara, mrutyor mochaya mochaya, aayur vardhaya vardhaya, shatroon naashaya naashaya, om namo bhagavate mahaa sudarshanaaya deeptre jvaalaa pareetaaya sarvadik kshobhaNa haraaya, hum phaT brahmaNe paranjyotishe svaahaa “
Sudarshana Gayatri
“Om sudarshanaaya vidmahe mahaajvaalaaya dheemahi | tanno chakrah prachodayaat”
Try to repeat the mantra for 11 or 108 times daily in the morning or evening (before sunset). It can be made a highly beneficial habit to help us live happily in this ‘ Kali-Yuga’
Note – It is advised to practice proper meditation – saadhana while using this mantra.

Saturday, June 27, 2015

SRIKRISHNA KARNAMRUTAM (VISHNU STOTRA.137)ASHWASA 3 (SLOKAS 76-108)


SRIKRISHNA KARNAMRUTAM (VISHNU STOTRA.137)ASHWASA 3 (SLOKAS 76-108)


Srikrishna Karnamrutham
स्मितस्तबकिताधरं शिशिरवेणुनादामृतं
मुहुस्तरललोचनं मदकटाक्षमालाकुलम्।
उरःस्थलविलीनया कमलया समालिङ्गितं
भुवस्तलमुपागतं भुवनदैवतं पातु नः ॥३.७६॥
May we be protected by that god of the worlds, Krishna,  who has come down to this world,  whose lips are lit by a smile, whose melodies from the flute are cool, who has roving eyes, whose sidelong glances are passionate and who is embraced by Lakshmi who abides on his chest. 
नयनाम्बुजे भजत कामदुघं
हृदयाम्बुजे किमपि कारुणिकम्
चरणाम्बुजे मुनिकुलैकधनं
वदनाम्बुजे व्रजवधूविभवम् ॥३.७७॥
Worship Krishna whose lotus-like eyes grant the desires (of devotees), lotus-like heart is full of mercy, lotus-like feet are the only wealth of saints and lotus-like face is the wealth of the belles of Vraja.
निर्वासनं हन्त रसान्तराणां
निर्वाणसाम्राज्यमिवावतीर्णं
अव्याजमाधुर्यमहानिधान-
मव्याद् व्रजानामधिदैवतं नः ॥३.७८॥
May  we be protected by Krishna, the Lord of the inhabitants of Vraja who is the taste which drives away other tastes, who has incarnated, as it were,  to rule over the Empire of salvation and  who is the repository of deceit less sweetness.
गोपीनामभिमतवेषहर्षा-
दापीनस्तनभरनिर्भरोपगूढम्।
केलीनामवतु रसैरुपास्यमानं
कालिन्दीपुलिनचरं परं महो नः ॥३.७९॥
May we be protected by that great effulgence which strolls on the banks of the Yamuna, which is decked out in attire liked by the ample-bosomed gopis  who hold it in a tight embrace and which is worshipped by the joys of their love sport.
खेलतां मनसि खेचराङ्गना-
माननीयमृदुवेणुनिःस्वनैः।
कानने किमपि नः कृतास्पदं
कालमेघकलहोद्वहं महः ॥३.८०॥
May that dark blue effulgence like that of dark clouds, abiding in some forest, sport in my mind accompanied by the soft melodies of the flute admired by the celestial damsels.
एणिशाबविलोचनाभिरलसश्रोणीभरप्रौढिभि-
र्वेणीभूतरसक्रमाभिरभितः श्रेणीकृताभिर्वृतः
पाणिद्वौ विनोदयन् रतिपतेस्तूणीशयैस्सायकै-
र्वाणीनामपदं व्रजजनक्षोणीपतिः पातु नः ॥३.८१॥
Let us be protected by the Lord of the land of Vraja who is surrounded  by doe-eyed gopis with slow moving hips and pretty walk and who amuses   both his hands by playing with the flower arrows in the quiver of the god of Love.
कालिन्दीपुलिने तमालनिबिडच्छाये पुरस्सञ्चर-
त्तोये  तोयजपत्रपात्रनिहितं दध्यन्नमश्नाति यः
वामे पाणितले निधाय मधुरं वेणुं विषाणं कटि-
प्रान्ते साचिविलिकयन् प्रतिपलं तं बालमालोकये ॥३.८२॥
I visualise the child Krishna who, sitting on the Kalindi river bed under the shade of a tamala tree, with the river water flowing in front of him. eats rice mixed with curd from a lotus leaf,  holding the flute in his left hand and the horn on his waist and glancing sideways every now and then.
यद् गोपीवदनेन्दुमण्डनमभूत्कस्तूरिकापत्रकं
यल्लक्ष्मीकुचशातकुंभकलशे व्याकोशमिन्दीवरं
यन्निर्वाणविधानसाधनविधौ सिद्धाञ्जनं योगिनां
तन्नः श्यामलमाविरस्तु हृदये कृष्णाभिधानं महः॥३.८३॥
The effulgence called Krishna became the Kasturi mark on the moon-like faces of gopis, became indivara flower in full bloom on Lakshmi’s breasts resembling pots of gold and became the mystic ink for the yogis who were trying to attain Nirvana (Supreme state of Peace). May that Light shine in my heart.
फुल्लेन्दीवरकान्तिमिन्दुवदनं बर्हावतंसप्रियं
श्रीवत्सांकमुदारकौस्तुभधरं पीतांबरं सुन्दरं
गोपीनां नयनोत्पलार्चिततनुं गोगोपसंघावृतम्
गोविन्दं कलवेणुनादनिरतं दिव्यांगभूषं भजे ॥३.८४॥ 
I worship Govinda who is of the brightness of indivara flower in full bloom,  who is fond of adorning himself with peacock feathers, who has the mark of srivatsa on his chest, who wears the kaustubha diamond and silks of bright yellow, who is beautiful, worshipped by the eye-lotuses of the gopis, surrounded by cows and cowboys, creating melodies from his flute and fully decked out with gold and diamond ornaments.
यन्नाभिसरसीरुहान्तरपुटे भृङ्गायमाणो विधिः
यद्वक्षःकमलाविलाससदनं यच्चक्षुषी चेन्द्विनौ
यत्पादाब्जविनिःसृता सुरनदी शंभोः शिरोभूषणं
यन्नामस्मरणं धुनोति दुरितं पायात् नः केशवः॥३.८५॥
May we be protected by that Keshava within the lotus from whose naval Brahma hovered like a bee, whose chest is the play house of Lakshmi, whose eyes are the sun and the moon, the celestial river which flows from whose lotus feet adorns the head of Lord Shiva and the remembrance of whose name washes away all sins and miseries. 
रक्षन्तु त्वामसितजलजैरञ्जलिः पादमूले
मीना नाभीसरसि हृदये मारबाणा मुरारेः।
हाराः कण्ठे हरिमणिमया वक्त्रपद्मे द्विरेफाः
पिञ्छाचूडाश्चिकुरनिचये घोषयोषित्कटाक्षाः ॥३.८६॥
May the sidelong glances of the belles of Vraja protect you; glances which offer worship at the feet of Krishna with dark lotus flowers, which are like fish in the lagoon of  his naval,  the arrows of the love god in Krishna’s heart,  necklace of blue gem stones around his neck, honey bees on his face and peacock plumes on his locks
[ Leela Suka visualizes the glances of the gopis as lotus flowers, fish, love god’s arrows, blue gem stones and honey bees ]
दधिमथननिनादैस्त्यक्तनिद्रः प्रभाते
निभृतपदमगारं वल्लवीनां प्रविष्टः।
मुखकमलसमीरैराशु निर्वाप्य दीपान्
कबलितनवनीतः पातु गोपालबालः॥३.८७॥
The gopala boy Krishna wakes up early morning by the sound of churning of curd. He gets up from sleep and quietly steps into the houses of milkmaids. He extinguishes the lamps by blowing them out by the air from his lotus mouth.  Then (in the dark) he swallows the freshly churned butter. May that child Krishna protect all of us.
प्रातः स्मरामि दधिघोषविनीतनिद्रं
निद्रावसानरमणीयमुखारविन्दम्
हृद्यानवद्यवपुषं नयनाभिराम-
मुन्निद्रपद्मनयनं नवनीतचोरम् ॥३.८८॥
Early morning I call before my mind’s eye the form of Krishna who has just woken up hearing the sound of curd being churned for butter. I visualize his beautiful lotus-face just after he is awake. I remember his body without  any blemish and beautiful to behold and his eyes like a lotus in full bloom.  I also remember him as the stealer of butter.
फुल्लहल्लकवतंसकोल्लसत्
गण्डमागमगवीगवेषितं
वल्लवीचिकुरवासिताङ्गुलि-
पल्लवं किमपि वल्लवं भजे ॥३.८९॥
I worship some cowherd, soft as leaf buds,  whose cheeks shine with the red colour of the hallaka  flowers adorning his head, who is sought after by the Vedas and whose fingers are fragrant  by contact with the locks of hair of the gopis.
स्तेयं हरेर्हरति यन्नवनीतचौर्यं
जारत्वमस्य गुरुतल्पकृतापराधम्
हत्यां दशाननहतिर्मधुपानदोषं
यत्पूतनास्तनपयः स पुनातु कृष्णः ॥३.९०॥
May we be made pure by that Krishna, the thought of whose stealing butter removes the sin of theft,  the thought of whose illicit love removes the sin committed to the guru,  the thought of killing of Ravana removes the sin of murder and the thought of his drinking Poothana’s milk  removes the sin of drinking liquor.
मार! मा वस मदीयमानसे
माधवैकनिलये यदृच्छया।
श्रीरमापतिरिहागमेदसौ
कः सहेत निजवेश्मलंघनम् ॥३.९१॥
O god of Love!  Do not reside in my mind which is the abode of only Madhava.  The consort of Lakshmi may come here any moment.  Who will tolerate the trespass of one’s own house?
आकुञ्चितं जानु करञ्च वामं
न्यस्य क्षितौ दक्षिणहस्तपद्मे।
आलोकयन्तं नवनीतखण्डं
बालं भजे कृष्णमुपानताङ्कम् ॥३.९२॥
Child Krishna is moving on his knees and with his left hand pressed on the floor.  On his right hand is a blob of butter at which he is looking intently.  I meditate on this beautiful form of Krishna.
जानुभ्यामभिधावन्तं
पाणिभ्यामतिसुन्दरम्।
सकुण्डलालकं बालं
गोपालं चिन्तयेदुषः ॥३.९३॥
One should think of the cowherd child, Krishna, in the early morning hours visualizing him as moving on his knees and hands and looking very pretty with his ear globes and his curly hair.  
विहाय कोदण्डशरौ मुहूर्तं
गृहाणपाणौ मणिचारुवेणुम्
मायूरबर्हं निजोत्तमांगे
सीतापते त्वां प्रणमामि पश्चात् ॥३.९४॥
O Ram! for a while keep aside your bow and arrows and take up the diamond-studded flute in your hands and sport a peacock feather on your head. I will then prostrate before you. 
अयं क्षीरांभोधेः पतिरिति गवां पालक इति
श्रितोऽस्माभिः क्षीरोपनयनधिया गोपतनयः।
अनेन प्रत्यूहो व्यरचि सततं येन जननी-
स्तनादप्यस्माकं सकृदपि पयो दुर्लभमभूत् ॥३.९५॥
We put our fainth on this son of a gopa thinking he is the Lord of the  milky ocean and  takes care of cows  and hoping that we would have uninterrupted supply of milk.  But he did the entirely opposite thing by which even our mothers’ milk became difficult to get (i.e. we were released from the cycle of births and deaths).
हस्तमाक्षिप्य यातोऽसि
बलात् कृष्ण! किमद्भुतम्
हृदयाद्यदि निर्यासि
पौरुषं गणयामि ते ॥३.९६॥
Krishna!  You have run away after forcefully extricating yourself from my hands.  That is no wonder. I will recognise your manliness only if you can get out of my heart.
तमसि रविरिवोद्यन्मज्जतामंबुराशौ
प्लव इव तृषितानां स्वादुवर्षीव मेघः।
निधिरिव विधनानां दीर्घतीव्रामयाणां
भिषगिव कुशलं नो दातुमायातु शौरिः ॥३.९७॥
May Krishna come to safeguard our welfare like a rising Sun for those in the dark, like a boat to those drowning in the sea,  like a cloud raining tasty water for those who are thirsty and like a physician to those who suffer chronic diseases.
कोदण्डं मसृणं सुगन्धि विशिखं चक्राब्जपाशाङ्कुशं
हैमीं वेणुलतां करैश्च दधतं सिन्दूरपुञ्जारुणम्।
कन्दर्पाधिकसुन्दरं स्मितमुखं गोपाङ्गनावेष्टितं
गोपालं सततं भजामि वरदं त्रैलोक्यरक्षामणिम् ॥३.९८॥
I meditate always on Gopala who holds a smooth bow, scented flower arrows, wheel, lotus, rope, goad  and  a golden flute, who is reddish like saffron, who is prettier than the God of love, who has an ever smiling face, who is surrounded by gopis,  who is the protector of the three worlds and e who gives boons (to his devotees).
   .
सायंकाले वनान्ते कुसुमितसमये सैकते चन्द्रिकायां
त्रैलोक्याकर्षणाङ्गं सुरनरगणिका मोहनापाङ्गमूर्तिम्।
सेव्यं शृंगारभावैर्नवरसभरितैर्गोपकन्यासहस्रै-
र्वन्देहं रासकेलीरतमतिसुभगं पश्य गोपालकृष्णम् ॥३.९९॥
It is evening in the woods with  trees laden with flowers and the sand banks of Yamuna bathed in moonlight.  Krishna is engaged in the rasa dance with the gopis. His form and glances enthrall the damsels of heaven and earth. He is surrounded by thousands of passionate gopis full of the nine rasas (sentiments).  I  visualize that very handsome cowherd Krishna who attracts all the three worlds and respectfully salute him.
कदंबमूले क्रीडन्तं
वृन्दावननिवेशितम्।
पद्मासनस्थितं वन्दे
वेणुं गायन्तमच्युतम्॥३.१००॥
I salute that Achyutha who creates melodies from the flute,  plays beneath the Kadamba tree, lives in Brindavan and sits on lotus pose.
बालं नीलांबुजाभं नवमणिविलसत्किङ्किणीजालबद्धं
श्रोणीजंघान्तयुग्मं विपुलरुरुनखप्रोल्लसत्कण्ठभूषम्।
फुल्लांभोजाभवक्त्रं हतशकटमरुत्पूतनाद्यं प्रसन्नं
गोविन्दं वन्दितेन्द्राद्यमरवरमजं पूजयेद्वासरादौ ॥३.१०१॥
We have to worship, at beginning of the day, the birth less child Govinda,
dark as the blue cloud, with a gem studded belt with bells on his hips, who wears around his neck an ornament with tiger’s nail, who has a face that is like a lotus flower in full bloom,  who killed Poothana, Trinavartha, Sakatasura and other asuras, who has a smiling face  and is worshipped by Indra and other devas
वन्द्यं देवैर्मुकुन्दं विकसितकुरुविन्दाभमिन्दीवराक्षं
गोगोपीवृन्दवीतं जितरिपुनिवहं कुन्दमन्दारहासम्।
नीलग्रीवाग्र्यपिञ्छग्रथनसुविलसत्कुन्तलं भानुमन्तं
देवं पीताम्बराढ्यं यज यज दिनशोमध्यमाह्ने  रमायै ॥३.१०२॥
Daily worship Mukunda at noon for wealth; Mukunda who is  worshipped by the celestials, who shines like the kuruvinda flowers, who  has  eyes like blue lotus, who is always surrounded by cows and gopis, who has vanquished hoards of enemies, who smiles with teeth which are like jasmine buds, who is very pretty being decorated by the feathers of the peacock, who has pretty hair on his head and who is gorgeous in his yellow silks.
विक्रान्तध्वस्तवैरिव्रजमजितमपास्तावनिभारमाद्यै-
रावीतं नारदाद्यैर्मुनिभिरभिनुतं तत्त्वनिर्णीतिहेतोः।
सायाह्ने निर्मलाङ्गं निरुपमरुचिरं चिन्तयेन्नीलभासं
मन्त्रीविश्वोदयस्थित्यपहरणपदं मुक्तिदं वासुदेवम् ॥३.१०३॥
Meditate daily during evenings on Vasudeva who, by his valour, finished off the horde of enemies, who is invincible, who reduces the burden of mother earth, who is prayed to by Narada and other sages for arriving at the nature of  the Absolute Reality, who has an unblemished pure form, who is of incomparable beauty, who is of dark blue complexion, who is the cause of birth, upkeep and death of the world and who is the one God who grants salvation to his devotees.
कोदण्डमैक्षवखण्डमिषुञ्च पौष्पं
चक्राब्जपाशसृणिकाञ्चनवंशनालम्।
बिभ्राणमष्टविधबाहुभिरर्कवर्णं
ध्यायेद्धरिं मदनगोपविलासवेषम् ॥३.१०४॥
Meditate on Hari who holds in his eight hands the bow, cane of sugar, arrows made of flowers, the chakra, the lotus, the rope, the goad and the flute made of gold  in his eight hands, who is of the red colour of the rising sun god and has put on the form of God of love who is a cowherd.
अंगुल्या कः कवाटे प्रहरति ? दयिते माधव: किं वसन्तो?
नो चक्री किं कुलालः? हि धरणिधरः किं द्विजिह्वः फणीन्द्रः
नाहं घोराहिमर्दी किमपि खगपतिर्नो हरिः किं सुरेन्द्रः
इत्येवं गोपकन्याप्रतिवचनजितः पातुवश्चक्रपाणिः  ॥३.१०५॥
[This is a conversation between Krishna and a gopi  where the poet has made use of words which have more than one meaning]
Gopi: Who is tapping the door with his fingers.
Krishna: Dear, it is Madhava.
Gopi: Is it Vasanta?  [ Madhava also means vasanta, the season of flowers]
Krishna: No dear, I am chakree  (Krishna has chakra as his weapon)
Gopi: Are you a potter ? (chakree also means a potter who also works with
                           a  wheel i.e. chakra)
Krishna: No, I am dharanidhara (the Lord of Earth)
Gopi:    Are you the serpent Adishesha?  (dharanidhara refers to Adisesha
                                           also as he supports the earth on
                                           his hoods)
Krishna: No. I am the one who subdued Kaliya
Gopi:    Then are you Garuda? (Kaliya, for fear of Garuda had taken
         shelter in Yamuna)
Krishna:  No, I am Hari
Gopi:  Are you Indra? (Hari also means Indra)
Thus Krishna was floored by the Gopi. May that Krishna take care of you all.
राधामोहनमन्दिरादुपगतः चन्द्रावलीमूचिवान्
राधे क्षेममयेऽस्ति तस्य वचनं श्रुत्वाह चन्द्रावली।
कंस! क्षेममये, विमुग्धहृदये कंसः क्व दृष्टस्त्वया
राधा क्वेति विलज्जितो नतमुखः स्मेरो हरिः पातु वः ॥३.१०६॥
Coming out of the pretty house of Radha, Krishna asked Chandravali,
“Hey Radha, how do you do?” and hearing those words,
Chandravali says  “Hey Kamsa, how do you do?”
Krishna retorts  “Oh girl!  have you lost your senses,
Where was Kamsa seen by you?”
Chandravali asks in the same vein “Where was Radha seen by you?”
Floored, Krishna shyly bends down his head and smiles. May that Krishna save all of you from everything.
   
या प्रीतिर्विदुरार्पिते मुररिपो कुन्त्यर्पिते यादृशी
या गोवर्धनमूर्ध्नि या पृथुके स्तन्ये यशोदार्पिते
भारद्वाजसमर्पिते शबरिकादत्तेऽधरे योषितां
या प्रीतिर्मुनिपत्निभक्तिरचिते ऽप्यत्रापि तां तां कुरु    [.१०७]
The poet entreats the Lord to accept his composition with the same fondness with which he had accepted the offerings of other devotees:
“ O Krishna! The fondness you had for the offerings of Vidura and Kunti, the satisfaction you derived on top of the Govardhana hill, the fondness for the flattened rice offered by Kuchela, for Yashoda’s breast milk, for the feast spread out by Bharadwaja during the incarnation as Rama, for the fruits offered by Sabari, for the lips of the Gopis and for the offerings made by the wives of sages – with the same fondness please accept this as my humble offering.
कृष्णानुस्मरणादेव
पापसंघातपञ्जरः।
शतधा भेदमायाति
गिरिर्वज्रहतो यथा ॥१०८॥
By the unintrrrupted  remembrance of Lord Krishna, the iron cage of the accumulation of sins  would break into a  hundred pieces like a mountain struck by the vajrayudha of Indra 

 (COURTESY:
                       

SRIKRISHNA KARNAMRUTAM(Vishnu stotra.136) ASHWASA 3 (SLOKAS 51-75)


SRIKRISHNA KARNAMRUTAM(Vishnu stotra.136) ASHWASA 3 (SLOKAS 51-75)


                    Srikrishna Karnamrutham
अनुगतममरीणामम्बरालम्बिनीनां
नयनमधुरिमश्रीनर्मनिर्माणसीम्नाम्।
व्रजयुवतिविलासव्यापृतापाङ्गमव्या-
त्त्रिभुवनसुकुमारं दिव्यकैशोरकं नः ॥३,५१॥
May we be protected by that kaishoram ( between childhood and adolescence) of Krishna which is the most beautiful in the three worlds, which is followed by the celestial damsels in the sky for whose eyes it is the very pinnacle of sweetness and which is the object of the passionate glances of the belles of Vraja
आपादचूड्मतिप्रसक्तै-
रापीयमाना यमिनां मनोभिः।
गोपीजनज्ञातरसाऽवतान्नो
गोपालभूपालकुमारमूर्तिः ॥३.५२॥
May we be protected by the  adolescent form of the gopala King which is mentally visualised from head to foot by the yogis who are very much attached to it and the taste of which the gopis have known.
  
दिष्ट्या वृन्दावनमृगदृशां विप्रयोगाकुलानां
प्रत्यासन्नं प्रणयचपलापांगवीचीतरंगैः
लक्ष्मीलीलाकुवलयदलश्यामलं धाम कामान्
पुष्णीयान्नः पुलकमुकुलाभोगभूषाविशेषम् ॥३.५३॥
By the good luck of the damsels of Vrindavan who are  pining in separation, Krishna is back again, his form as dark as the petals of the kuvalaya flower playfully held by Lakshmi in her hands. His glances of love from the corners of his roving eyes create a wave. Hairs in his  body stand erect (because of the emotion of love) which gives the impression of buds  on a tamala tree.   May that Krishna sustain all of us and (help us cross this ocean of samsara)
जयति गुहशिखीन्द्रपिञ्छमौलि-
स्सुरगिरिगैरिककल्पिताङ्गरागः।
सुरयुवतिविकीर्णसूनवर्ष-
स्नपित विभूषितकुन्तलः कुमारः ॥३.५४॥
Victory to that adolescent boy who adorns his head with the plumes of the peacock of Skanda, who has smeared his body with the red paste of the sand stone of the Meru Mountain and whose locks are adorned by the rain of flowers showered by the celestial maidens.
मधुरमन्दशुचिस्मितमञ्जुलं
वदनपङ्कजमंगजवेल्लितं
विजयतां व्रजबालवधूजन-
स्तनतटीविलुठन्नयनं विभोः ॥३.५५॥
Let there be victory to the lotus face of Krishna which is pretty with its slow,  sweet and pure smile, which is moved by the god of Love,  and with eyes  rolling over the bosom of the young lasses of Vraja.
अलसविलसन्मुग्धस्निग्धस्मितं व्रजसुन्दरी-
मदनकदनस्विन्नं धन्यं महद्वदनांबुजम्।
तरुणमरुणज्योत्स्नाकार्त्स्न्यस्मितस्नपिताधरं
जयति विजयश्रेणीमेणीदृशां मदयन् महः ॥३.५६॥
Victory to that great effulgence which has an indolent, playful, pretty and smooth smile, which is sweating because of love sport, which is fulfilled, has a lotus-like face, which has lips bathed in a smile which is bright as the full moon and which delights the doe-eyed damsels of Vraja
  
राधाकेलिकटाक्षवीक्षितमहावक्षःस्थलीमण्डनाः
जीयासुः पुलकाङ्कुरास्त्रिभुवनस्वादीयसस्तेजसः।
क्रीडान्तप्रतिसुप्तदुग्धतनयामुग्धावबोधक्षण-
त्रासारूढदृढोपगूहनमहासाम्राज्यसान्द्रश्रियः ॥३.५७॥
Victory to that effulgence, Krishna,  who is the joy of all the three worlds, whose broad chest is adorned by Radha’s playful sidelong glances which cause bristles of extreme joy.  Fearing that Rukmini who is asleep after love play may wake up any time, Krishna locks Radha in a tight embrace leading to a vast empire of joy. .  
स्मितस्नुतसुधाधरा मदशिखण्डिबर्हाङ्किता
विशालनयनाम्बुजा व्रजविलासिनीवासिताः।
मनोज्ञमुखपङ्कजा मधुरवेणुनादद्रवा
जयन्ति मम चेतसश्चिरमुपासिता वासनाः॥३.५८॥
Victory to the thoughts (vasanas) I am entertaining in my mind for long about Krishna with a smile dripping sweet nectar, adorned with the plumes of peacock, wide eyes like the lotus, wafting the fragrance of the belles of Vraja, pretty lotus-like face and sweet melodies from the flute, 
जीयादसौ शिखिशिखण्डकृतावतंसा
सांसिद्धिकी सरसकान्तिसुधासमृद्धिः।
यद्बिन्दुलेशकणिकापरिमाणभाग्यः
सौभाग्यसीमपदमञ्चति पञ्चबाणः ॥३.५९॥
May that effulgence (Krishna) which adorns the head with peacock plumes,
which is the abundant flow of nectar yielding all the siddhies.  A small portion of a drop from this nectar flow gives the god of Love his exalted position making him rule the world with his five arrows of flowers.   
आयामेन दृशोर्विशालतरयोरक्षय्यमार्द्रस्मित-
च्छायाधर्षितशारदेन्दुललितं चापल्यमात्रं शिशोः।
आयासानपरान् विधूय रसिकैरास्वाद्यमानं मुहुः
जीयादुन्मदवल्लवीकुचभराधारं किशोरं महः॥३.६०॥
Victory to that effulgence,  in the form of child Krishna,  which has broad long eyes, never-fading sweet smile which defeats the brilliance of the autumnal moon and childlike playfulness, which is enjoyed by rasikas (connoisseurs) leaving all other activities, which has for its support the breasts of lovelorn belles of Vraja.
स्कन्धावारसदो प्रजाः कतिपये गोपाः सहायादयः
स्कन्धालंबिनि वत्सदाम्नि धनदा गोपांगनाः स्वांगनाः।
शृंगारा गिरिगैरिकं शिवशिव! श्रीमन्ति बर्हाणि च
शृंगग्राहिकया तथापि तमिमं प्राहुस्त्रिलोकेश्वरम्॥३.६१॥
His subjects live in huts, a few cowherds are there as helpers, the rope used to tie calves hangs on the shoulders, people paying tribute are cowherd women, adornment is peacock feathers and red stone from mountain.  In spite of all this Krishna is called the Lord of the three worlds. What a paradox!  
श्रीमद्बर्हिशिखण्डमण्ड्नजुषे श्यामाभिरामत्विषे
लावण्यैकरसावसिक्तवपुषे लक्ष्मीसरःप्रावृषे
लीलाकृष्टरसज्ञधर्ममनसे लीलामृतस्रोतसे
को वा स्पृहयन्ति ह्न्त महसे गोपीजनप्रेयसे ॥३.६२॥
Who will not desire for the great beloved of gopis who adorns himself with peacock feathers, who is of beautiful dark blue complexion and is the embodiment of beauty, who is like rainy season for the lagoon which is Lakshmi, who playfully attracts the hearts of good people and who is the source of the leela-nectar?
आपाटलाधरमधीरविलोलनेत्र-
मामोदनिर्भरितमद्भुतकान्तिपूरम्।
आविःस्मितामृतमनुस्मृतिलोभनीय-
मामुद्रिताननमहो मधुरं मुरारेः ॥३.६३॥
Krishna’s face is sweet with red lips, roving eyes full of joy and wonderful radiance, lit up by a nectarine smile which is tempting every time it is recalled to mind.  
जागृहि जागृहि चेत
श्चिराय चरितार्थता भवता
अनुभूयतामिदमिदं
पुरःस्थितं पूर्णनिर्वाणम् ॥३.६४॥
O Mind! Wake up, wake up.  After a long time your life is fulfilled. Enjoy, experience,  to your heart’s content, this supreme peace, cessation of activity,  which is before your very eyes    
चरणयोररुणं करुणार्द्रयोः
कचभरे बहुलं विपुलं दृशोः।
वपुषि मञ्जुलमञ्जनमेचके
वयसि बालमहो मधुरं महः ॥३.६५॥
This sweet effulgence has merciful feet with a slight red tinge, dense, abundant hairs on the head, wide eyes, beautiful body dark in complexion and the form of a child.
मालाबर्हमनोज्ञकुन्तलभरां वन्यप्रसूनोक्षितां
शैलेयद्रवकॢप्तचित्रतिलकां शश्वन्मनोहारिणीम्।
लीलावेणुरवामृतैकरसिकां लावण्यलक्ष्मीमयीं
बालां बालतमालनीलवपुषं वन्दे परां देवताम् ॥३.६६॥
I bow to that goddess who is a child with a dark complexion as the tender leaves of the tamala tree, locks adorned by a garland of peacock plumes and wild flowers, beautiful tilak made by the red sand stone from the mountain, a from which always captivates the mind, which enjoys the nectarine playful melodies from the flute and  which is the very embodiment of beauty.  (Lord Krishna is visualised as the Goddess in this verse) 
गुरुमृदुपदे गूढं गुल्फे घनं जघनस्थले
नलिनमुदरे दीर्घं बाह्वोर्विशालमुरस्थले।
मधुरमधरे मुग्धं वक्त्रे विलासि विलोचने
बहु कुचभरे वन्यं वेषे मनोज्ञमहो महः ॥३.६७॥
This beautiful effulgence is firm in the soft feet, fleshy at the calf, thick at the hips, slim at the stomach, long in the arms, broad at the chest, sweet at he lips, innocence in the face, shine in the eyes, profusion in hair and decked with wild flowers  
जिहानं जिहानं सुजानेन मौग्ध्यं
दुहानं दुहानं सुधां वेणुनादैः।
लिहानं लिहानं सुदीर्घैरपांगैः
महानन्दसर्वस्वमेतन्नमस्यात्॥३.६८॥
I prostrate before that which is the very essence of supreme bliss, which is at the portals of youth from childhood,  which increasingly produces nectar out of the melodies of the flute and which blesses everything with the side long glances from its wide eyes.
लसद्बर्हापीडं ललितललितस्मेरवदनं
भ्रमत्क्रीडापाङ्गं प्रणतजनतानिर्वृतिपदम्।
नवांभोदश्यामं निजमधुरिमामोदभरितं
परं देवं वन्दे परिमिलितकैशोरकरसम् ॥३.६९॥
I salute Lord Krishna, the highest of the gods, full of the happiness of childhood,  shining with the plumes of peacock, a pretty smile playing on his face, roving side long glances,  the seat of calm and peace for those who prostrate before him, dark as the newly-formed cloud and who is filled with the joy of his own sweetness.
सारस्यसामग्र्यमिवाननेन
माधुर्यचातुर्यमिव स्मितेन।
कारुण्यतारुण्यमिवेक्षितेन
With a face which is the very acme of beauty,  with a smile which is the perfection of sweetness and with glances reflecting youthfulness of mercy,   His form satisfies the greed of my eyes for seeing Him.
यत्र वा तत्र वा देव!
यदि विश्वसिमस्त्वयि।
निर्वाणमपि दुर्वार-
मर्वाचीनानि किं पुनः ॥३.७१॥
`
रागान्धगोपीजनवन्दिताभ्यां
योगीन्द्रभृंगेन्द्रनिषेविताभ्याम्
आताम्रपङ्केरुहविभ्रमाभ्यां
स्वामिन्! पदाभ्यामयमञ्जलिस्ते ॥३.७२॥
O Lord!  my respectful anjalis  to your lotus feet which are saluted by gopis  blind with passion, which are served by sages who are like bees (circling around the lotus) and which shine red like the lotus flowers.
अर्थानुलापान् व्रजसुन्दरीणा-
मकृत्रिमाणाञ्च सरस्वतीनां।
आर्द्राशयेन श्रवणाञ्चलेन
संभावयन्तं तरुणं गृणीमः ॥३.७३॥
We sing praises of the youthful Krishna who honours, with receptive ears,  the requests of gopis and their words which are not artificial.
मनसि मम सन्निधत्तां
मधुरमुखा मन्थरापाङ्गा।
करकलितललितवंशा
कापि किशोरा कृपालहरी ॥३.७४॥
May that wave of mercy with a sweet face,  pretty side long glances
and a delicate flute in hand  take its place in my mind.
रक्षन्तु नः शिक्षितपाशुपाल्या
बाल्यावृता बर्हिशिलावतंसाः।
प्राणप्रियाः प्रस्तुतवेणुगीताः
शीता दृशोः शीतलगोपकन्याः ॥३.७५॥
May we be protected by Krishna who is surrounded by gopalas  trained in the art of minding the cows, who adorns his head with peacock plumes, who creates soulful melodies from his flute  and who is cool to the eyes of gopis.

(COURTESY:

SRIKRISHNAKARNAMRUTAM(Vishnu stotra.135)- ASHWASA 3 (SLOKAS 26-50)



SRIKRISHNAKARNAMRUTAM(Vishnu stotra.135)- ASHWASA 3 (SLOKAS 26-50)


                    Srikrishna Karnamrutham
वत्सपालचरः कोऽपि
वत्सः श्रीवत्सलाञ्छनः।
उत्सवाय कदा भावी-
त्युत्सुके मम लोचने ॥३.२६॥
My eyes are eager to know when it can celebrate seeing Krishna the cowherd boy with the Srivatsa mark on his chest.  
मधुरिमभरिते मनोभिरामे
मृदुलतरस्मितमुद्रिताननेन्दौ।
त्रिभुवननयनैकलोभनीये
मनसि वयं व्रजभाजि लालसाः स्मः ॥३.२७॥
We greatly desire in our mind Krishna who is full of sweetness,  who has captivating beauty, whose moon-like face is lit up by a soft smile and who is desired by the eyes of the denizens of all the three worlds.
मुखारविन्दे मकरन्दबिन्दु-
निष्यन्दलीलामुरलीनिनादे
व्रजाङ्गनापांगतरंगभृंग-
संग्रामभूमौ तव लालसा स्मः ॥३.२८॥
Our desire is focused on your lotus-like face, from which proceeds the sweet melodies of your flute dripping drops of nectar and which is the battle ground for the bees which are the waves of sidelong glances from the gopis of Vraja
आताम्रायतलोचनांशुलहरीलीलासुधाप्यायितैः
गीताम्रेडितदिव्यकेलिभरितैः स्फीतं व्रजस्त्रीजनैः।
स्वेदांभःकणभूषितेन किमपि स्मेरेण वक्त्रेन्दुना
पादांभोजमृदुप्रसारसुभगं पश्यामि दृश्यं महः ॥३.२९॥
I  see before my eyes an effulgence which is surrounded by the beauties of Vraja  who are saturated with the waves of radiance from its slightly reddish wide eyes and who are full of sport mixed with sweet music from its flute.
That effulgence has a moon-like face lit up with a smile and adorned with drops of sweat and its pretty soft walks on its lotus-like feet are of bewitching beauty.
पाणौ वेणुः प्रकृतिसुकुमाराकृतौ बाल्यलक्ष्मिः
पार्श्वे बालाः प्रणयसरसालोकितापांगलीलाः।
मौलौ बर्हं मधुवदनांभोरुहे मौग्ध्यमुद्रे-
त्यार्द्राकारं किमपि कितवं ज्योतिरन्वेषयामः॥३.३०॥
We are in search of an effulgence which has flute in its hands, the beauty of childhood with its natural softness, company of maiden whose glances from the corners of their eyes speak of love, peacock feathers on the crown and innocence on the sweet face beautiful as a lotus
आरूढवेणुतरुणारुणविभ्रमेण
माधुर्यशालिवदनांबुजमुद्वहन्ती।
आलोक्यतां किमनया वनदेवता वः
कैशोरके वयसि काऽपि कान्तियष्टि॥३.३१॥
O Gods of the forest!  Of what use is the beauty of this forest?   Look at Krishna who plays the flute with his pretty red lips, who has a sweet lotus-like face and an emerging youthfulness the radiance of which is beyond words.
अनन्यसाधारणकान्तिकान्त-
माक्रान्तगोपीनयनारविन्दम्।
पुंसः पुराणस्य नवं विलासं
पुण्येन पूर्णेन विलोकयिष्ये ॥३.३२॥
 I see before my eyes, as a result of my abundant punya (meritorious deeds), the new form (incarnation ) of the primeval Purusha  which is bewitching by its out of the ordinary brilliance and which attracts the lotus-eyes of the gopis of Vraja.
साष्टांगपातमभिवन्द्य समस्तभावैः
सर्वान् सुरेन्द्रनिकरानिदमेव याचे |
मन्दस्मितार्द्रमधुराननचन्द्रबिंबे
नन्दस्य पुण्यनिचये मम भक्तिरस्तु ||.३३॥
Prostrating (with eight body parts touching the earth) before all the gods in heaven with intense feeling  I pray for only one thing – ‘May I have loving devotion to the fruit of Nanda’s meritorious deeds (Krishna) whose sweet face resembling the full moon is lit up by a beautiful smile’ .
एष प्रवाहेषु एव मन्ये
क्षणोपि गण्यः पुरुषायुषेषु
आस्वाद्यते यत्र कयापि भक्त्या
नीलस्य बालस्य निजं चरित्रम् ॥३.३४॥
In the unending flow of time only those minutes of the hundred odd years of a man’s life are really to be counted wherein the life-events  and exploits of the dark-blue child Krishna are enjoyed.
निसर्गसरसाधरं निजदयार्द्रदिव्येक्षणं
मनोज्ञमुखपंकजं मधुरसार्द्रमन्दस्मितम्।
रसज्ञहृदयास्पदं रमितवल्ल्वीलोचनं
पुनःपुनरुपास्महे भुवनलोभनीयं महः ॥३.३५॥
Naturally sweet lips, divine glances drenched in mercy, beautiful lotus-like face,  smile drenched in sweetness, abiding in the hearts of devotees and delighting  to the eyes of cowherd belles- we worship this effulgence which is attractive  to the whole world.   
स कोऽपि बालः सरसीरुहाक्षः
सा च व्रजस्त्रीजनपादधूलिः।
मुहुस्तदेतद्युगळं मदीये
मोमुह्यमानेऽपि मनस्युदेतु ॥३.३६॥
That whosoever child with lotus-eyes and that dust of the feet of cowherd women – may the pair of these two arise in my mind even when it is deluded.
मयि प्रयाणाभिमुखे वल्लवी
स्तनद्वयीदुर्ललितः बालकः।
शनैः शनैश्श्रावितवेणुनिस्वनो
विलासवेषेण पुरः प्रतीयताम् ॥३.३७॥
When life is ebbing out of my body, may child Krishna, naughty with the milkmaids,  appear before me in his dandyish outfit slowly playing the flute within reach of my ears. 
अतिभूमिमभूमिमेव वा
वचसां वासितवल्लवीस्तनम्।
मनसामपरं रसायनं
मधुराद्वैतमुपास्महे महः ॥३.३८॥
We meditate on that effulgence which is nothing but bliss, which is beyond words,  which is the perfume for the breasts of cowherd belles and which is an incomparable medicine to the mind.
जननान्तरेऽपि जगदैकमण्डने
कमनीयधाम्नि कमलायतेक्षणे।
व्रजसुन्दरीजनविलोचनामृते
चपलानि सन्तु सकलेन्द्रियाणि मे ॥३.३९॥
Even in my future births let all my senses and the mind revel in that effulgence which is adornment of the whole world, which is the repository of all beauty, which has wide lotus-like eyes and which is nectar to the eyes of the beauties of Vraja
मुनिश्रेणीवन्द्यं मदभरलसद्वल्लववधू-
स्तनश्रॊणीबिंबस्तिमितनयनांभोजसुभगम्
पुनः श्लाघाभूमिं पुलकितगिरां नैगमगिरां
घनश्यामं वन्दे किमपि कमनीयाकृति महः ॥३.४०॥
I bow to the effulgence, dark as the cloud and of beautiful form,  to which the sages offer worship, whose eyes are captivated by the breasts and hips of the milkmaids who adore it, which is the ultimate object of praise for the Vedas whose words come with intense feeling.  
अनुचुम्बतामविचलेन चेतसा
मधुराकृतेर्मधुरिमाश्रियं विभोः।
अयि देव! कृष्ण! दयितेति जल्पता-
मपि नो भवेयुरपि नाम तादृशाः ॥३.४१॥
There are those who, with an unwavering mind, experience the sweetness of the beautiful form of Lord Krishna.  May those of us who chant his names
saying ‘O Deva!, Krishna!, Darling!’ etc also experience the same happiness.   
किशोरवेषेण कृशोदरीदृशां
विशेषदृश्येन विशाललोचनम्।
यशोदया लब्धयशोनवांबुधेः
निशामये नीलनिशाकरं कदा ॥३.४२॥
When shall I see Krishna with his wide eyes, taking the form of a child for the eyes of the cowherd women and who is the  dark blue moon from the new sea of fame obtained by Yashoda.   .
प्रकृतिरवतु नो विलासलक्ष्म्याः
प्रकृतिजडं प्रणतापराधवीथ्याम्।
सुकृतिकृतपदं किशोरभावे
सुकृतिमनःप्रणिधानमोजः ॥३.४३॥
Let us be protected by that effulgence which is the source of wealth of playfullness,  which is tolerant towards the sins of those who prostrate before it,  which abides in the heart of blessed people in his child-like form
and which is meditated upon by those who have earned enough punya.
अपहसितसुधामदावलेपै-
रधिकमनोहरमार्द्रमन्दहासैः
व्रजयुवतिविलोचनावलेह्यं
रमयतु धाम रमावरोधनं नः ॥३.४४॥
May we be made happy by that Lord who is the consort of Goddess Lakshmi, whose beautiful smile tinged with compassion mocks the pride of nectar on its own sweetness and and who is delight to the eyes of the belles of Vraja
अङ्कुरितस्मेरदशाविशेषै-
रश्रान्तहर्षामृतवर्षमक्ष्णाम्।
संक्रीडतां चेतसि गोपकन्या-
घनस्तनस्वस्त्ययनं महो नः ॥३.४५॥
May that effulgence (Krishna) play in our hearts;  effulgence  which is at home at the bosom of gopis, which has an ever new sprouting smile and which is the never-tiring rain of nectar of bliss to the eyes.
मृगमदपङ्कसंकरविशेषितवन्यमहा-
गिरितटगण्डगैरिकघनद्रवविद्रुमितम्।
अजितभुजान्तरं भजत हे बत गोपवधू-
स्तनकलशस्थली घुसृणमर्दनकर्दमितम्॥३.४६॥
Let us worship the chest of Ajita (one who cannot be conquered, Krishna)
which has gained the colour of corals by the application of deer musk mixed with a liquid of red stones from the valley of the mountain and which is also smeared with the sandal paste from the breasts of cowherd belles of Vraja
                     
आमूलपल्लवितलीलमपाङ्गजालै-
रासिञ्चती भुवनमादृतगोपवेषा ।
बालाकृतिर्मृदुलमुग्धमुखेन्दुबिम्बा
माधुर्यसिद्धिरवतान्मधुविद्विषो नः ॥३.४७॥
Let us be saved by the child-like form of the slayer of Madhu (Krishna),  which is the very acme of sweetness, which has sprouted, from its very roots, tender leaves of playfulness, which drenches the whole world by its sidelong glances, which has taken on the guise of a cowherd and which has a soft and sweet moon-like face.
विरणन्मणिनूपुरं व्रजे
चरणाम्भोजमुपास्व शार्ङ्गिणः।
सरसे सरसि श्रिया श्रितं
कमलं वा कलहंसनादितम् ॥३.४८॥
Meditate on the lotus like feet of Lord Vishnu with its tinkling sound in Vraja from the gem-studded anklets just like a lotus in the pond blessed by Lakshmi and filled with the musical sound of swans.
शरणमशरणानां शारदांभोजनेत्रं
निरवधिमधुरिम्णा नीलवेषेण रम्यम्
स्मरशरपरतन्त्रस्मेरवक्त्रांबुजाभि-
र्व्रजयुवतिभिरव्यात् ब्रह्म संवेष्टितं नः ॥३.४९॥
May Brahman  ( concealed in the form of Krishna) which is the refuge of those who do not find refuge elsewhere, which has eyes as beautiful as the lotus flower in autumn,  which is beautiful to behold in the most sweet dark blue complexion and which is surrounded by the lovelorn damsels of Vraja with their smiling lotus-faces.
सुव्यक्तकान्तिभरसौरभदिव्यगात्र-
मव्यक्तयौवनपरीतकिशोरभावम्।
गव्यानुपालनविधावनुशिष्टमव्या-
दव्याजरम्यमखिलेश्वरवैभवं नः ॥३.५०॥
May we be protected by that incarnation of the all powerful Lord, which is of blameless beauty, which has a divine body of clearly visible effulgence and fragrance, with childhood taken over by youth which is not yet fully manifest and which has been instructed in taking care of cows and calves.  
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