Sanskit Mangala Sthotra (Hymn/Chant) on
Sri Krishna (Krishna Avatar) (Krishna stotra.40)
http://youtu.be/EQdelqg3SlA
SRIKRISHNA MANGALAM
श्रीकृष्णमङ्गलम्
मङ्गलं यादवेन्द्राय महनीयगुणात्मने
वसुदेवतनूजाय वासुदेवाय मङ्गलम्॥१॥
किरीटकुण्डलभ्राजदलकैर्यन्मुखश् रिये
श्रीवत्सकौस्तुभोद्भासिवक्षसे चास्तु मङ्गलम् ॥२॥
नीलांबुदनिकाशाय विद्युत्सदृशवाससे।
देवकीवसुदेवाभ्यां संस्तुतायास्तु मङ्गलम्॥३॥
ताभ्यां संप्रार्थितायाथ प्राकृतार्भकरूपिणे।
यशोदाया गृहं पित्रा प्रापितायास्तु मङ्गलम्॥४॥
पूतनाऽसुपयःपानपेशलायासुरारये।
शकटासुरविध्वंसिपादपद्माय मङ्गलम् ॥५॥
यशोदाऽऽलोकिते स्वास्ये विश्वरूपप्रदर्शिने।
मायामानुषरूपाय माधवायास्तु मङ्गलम्॥६॥
तृणावर्तदनूजासुहारिणे शुभकारिणे।
वत्सासुरप्रभेत्रे च वत्सपालाय मङ्गलम्॥७॥
दामोदराय वीराय यमलार्जुनपातिने ।
धात्रा हृतानां वत्सानां रूपधर्त्रेऽस्तु मङ्गलम्॥८॥
ब्रह्मस्तुताय कृष्णाय कालीयफणनृत्यते।
दावाग्निरक्षिताशेषगोगोपालाय मङ्गलम्॥९॥
गोवर्धनाचलोद्धर्त्रे गोपीक्रीडाभिलाषिणॆ।
अञ्जल्याहृतवस्त्राणां सुप्रीतायास्तु मङ्गलम्॥१०॥
कंसहन्त्रे जरासन्धबलमर्दनकारिणे।
मथुरापुरवासाय महाधीराय मङ्गलम्॥११॥
मुचुकुन्दमहानन्ददायिने परमात्मने।
रुक्मिणी परिणेत्रे च सबलायास्तु मङ्गलम्॥१२॥
द्वारकापुरवासाय हारनूपुरधारिणे।
सत्यभामासमेताय नरकघ्नाय मङ्गलम्॥१३॥
बाणासुरकरच्छेत्रे भूतनाथस्तुताय च ।
धर्माहूताय यागार्थं शर्मदायास्तु मङ्गलम्॥१४॥
कारयित्रे जरासन्धवधं भीमेन राजभिः।
मुक्तैः स्तुताय तत्पुत्रराज्यदायास्तु मङ्गलम्॥१५॥
चैद्यतेजोऽपहर्त्रे च पाण्डवप्रियकारिणे।
कुचेलायमहाभाग्यदायिने तेऽस्तु मङ्गलम्॥१६॥
given inthe end of video
Mangala stotras are normally recited at the end of reciting several stotras or the end of singing several songs or at the end of an auspicious function. The devotee wishes auspiciousness to the Lord. Mangalam may also mean "good wishes", or "wishes for a happy ending". This great Mangala stotra of Lord Krishna narrates the story of Lord Krishna in detail.
Krishna (Sanskrit: कृष्ण) (kṛṣṇa in IAST, pronounced [ˈkr̩ʂɳə] literally "dark, black, dark-blue" is a central figure of Hinduism and is traditionally attributed the authorship of the Bhagavad Gita. He is known as the eighth and "complete" avatar (As per Gaudia Vaishnavism while other beliefs including Madhva sampradaya consider all forms of Lord Vishnu to be equal) of Lord Vishnu,( As per the North Indian belief, Krishna is the eighth avatar, while as per south Indian belief, Balarama is considered as the eight avatar and Krishna as the ninth) come to restore Dharma to the earth in a time of great dharmic imbalance. Krishna is identified as a historical individual who participated in the events of the Mahabharata.
Krishna is often described as an infant or young boy playing a flute as in the Bhagavata Purana, or as a youthful prince giving direction and guidance as in the Bhagavad Gita.The stories of Krishna appear across a broad spectrum of Hindu philosophical and theological traditions. They portray him in various perspectives: a god-child, a prankster, a model lover, a divine hero and the Supreme Being. The principal scriptures discussing Krishna's story are the Mahabharata, the Harivamsa, the Bhagavata Purana and the Vishnu Purana.
Worship of a deity of Krishna, in the form of Vasudeva, Bala Krishna or Gopala, can be traced to as early as 4th century BC. Worship of Krishna as svayam bhagavan, or the Supreme Being, known as Krishnaism, arose in the Middle Ages in the context of the bhakti movement. From the 10th century AD, Krishna became a favorite subject in performing arts and regional traditions of devotion developed for forms of Krishna such as Jagannatha in Orissa, Vithoba in Maharashtra and Shrinathji in Rajasthan. Since the 1960s the worship of Krishna has also spread in the West, largely due to the International Society for Krishna Consciousness.
The earliest text to explicitly provide detailed descriptions of Krishna as a personality is the epic Mahābhārata which depicts Krishna as an incarnation of Vishnu. Krishna is central to many of the main stories of the epic. The eighteen chapters of the sixth book (Bhishma Parva) of the epic that constitute the Bhagavad Gita contain the advice of Krishna to the warrior-hero Arjuna, on the battlefield. Krishna is already an adult in the epic, although there are allusions to his earlier exploits. The Harivamsa, a later appendix to this epic, contains the earliest detailed version of Krishna's childhood and youth.
The worship of Krishna is part of Vaishnavism, which regards Vishnu as the Supreme God and venerates His associated Avatars, their consorts, and related saints and teachers. Krishna is especially looked upon as a full manifestation of Vishnu, and as one with Vishnu himself
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